Paintings, Drawings, and Photographs artist
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Now is the Time
(artist's 20s typewriter/60s telephone/80s transcriber)
"Now is the time for all good people to come to the aid of democracy."

Archival Print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's teenage diary/party/John Lennon's Rolls, London)

"Rebel to Rogue" "From my diary at 16 to my work at 17 to my travels at 18, my shorthand and I were compliant. Oh but in my 20s I went rogue."

Gallery 1313, Solo Exhibit, 2018

Prior to computers, for someone to admit typing proficiency was an invitation to do other people's work. In 20th century male-dominated workplaces, men did not type, they dictated. Women learned shorthand (Sir Isaac Pitman's 1837 system of speedy strokes, symbols and syllabic shortcuts) to record men's spoken words in order to present them later in typed form for men's review.

In other words, shorthand was a utilitarian, gender-specific language when the artist acquired and employed it as a teenaged legal secretary. After moving to Toronto for art school, she never used it again. But in 2018, she revisited it to explore its visual, social and political potential.

Simplifying its complexities to line pressure and position, hand drawn on a selection of her travel photos and paintings, the images become posters to ponder, conveying certain life mantras for oblique reflection. A barely discernible stenographic notation in some images can be read as steganography (a message hidden in plain sight).

Whether the strokes are read as incomprehensible, feminist graffiti, or as a secret note to self, is up to the viewer. However, actual transcriptions are quoted in italics next to the work.

Archival print (4"x6") image ©ruth hartman
(artist/Carnaby St. Biba gear returning from 60s London)

"Stenographer in Revolt"

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist photo of Joan Baez at Toronto's Mariposa Folk Festival)

"Power to the People"
(signed lower right in shorthand)

Archival Print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's window photos Paris/Newfoundland/studio door #1)

"Power to the Peephole"

"power to the peep here"


Archival Print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's 16"x20" acrylic/canvas painting of young girl)

"believe me"
"believe me"
"believe me"

"I believe you"
"I believe you too"
"we believe you"

(#Metoo, # Timesup)

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's street photo in Varanasi, India)

"This judge lies.
This judge likes beer.
This judge lies.
This judge"

(Brett Kavanagh "justice" hearings,
US Senate, 2018)

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's photos in Toronto and Iceland)

"Like a bird on a wire
like a drunk in a
midnight choir
I have tried
in my way to be free."

(Leonard Cohen, 1968)

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's photos in New Zealand and Australia)

"Sitting quietly
doing nothing
spring comes
and the grass grows
by itself."

(Matsuo Basho c.1668)

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's 30"x60" acrylic/canvas painting "Africa")

"temperature rising
temperature rising
temperature rising
temperature rising
temperature rising
temperature rising
temperature rising
temperature rising
temperature rising"

(#climate change)

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's photo of spring tulips, periwinkle and sweet woodruff)

"Hartman '73"
"The world is yet a beauteous thing when one can feel a sunlit spring"

Archival print (11"x17"/27.9x43.1) image ©ruth hartman
(artist's photo of laburnum "Golden Chain" tree)

"just breathe"
(signed lower right in shorthand)

(artist's 12"x12" acrylic/canvas painting/visitors' shorthand)

"listen | hear"

images © ruth hartman
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Some images are available in archival limited edition pigment prints. Contact the artist directly for details.