cheek line
Conte on Paper
a thought
Pen on Paper
looking up
Pencil on Paper
looking left
Pastel on Paper
looking right
Pencil on Paper
Kyoto geisha
Ink on Paper
Leopard in Tree, South
Africa
Pencil on Paper (8"x10"/20.3x25.4)
Nelson at Rochdale 1970
Pen on Paper
Alec Nicol
Ink/Acrylic/Canvas (7"x9"/17.7x22.8)
Kathleen Finlay, Painter
Pencil on Paper
(8"x10"/20.3x25.4)
Greenwich Village 1970
Pen and ink on paper
Coach House Press, April
15, 1969
Pen and ink on Paper
1973 International Women and Video
Liberation Media | international directory cover
Nude with Yellow Pillow
Pastels on Paper
(20"x30"/50.8x76.2)
Nude with Stripes
Pastels on Paper
(20"x30"/50.8x76.2)
"Life studies of the
face and body and surroundings provide a window into humanity and
individual character. Drawing them never ceases to engage and transport
me.
Drawings integral to series work are not included with this random assortment of drawings which managed to escape rough storage, exposure to light and my harsh and quixotic judgments over decades of moves and purges."
Toronto's counterculture and feminism of the 70s included the 'Bloomsbury' of its day, Rochdale College, the literary Coach House Press, consciousness raising Liberation Media and Toronto's first International Women's Film and Video Festival.
The images of Kathleen Finlay and Alec Nicol are memories of two beautiful artists.
Some images are available in details.